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Awards season is officially over, and One Battle After Another had the last word. Paul Thomas Anderson's film dominated the 98th Academy Awards with six wins, including Best Picture and Best Director, while Sinners took home four, headlined by Michael B. Jordan's historic Best Actor win, only the seventh time a Black man has won in that category. 

The supporting categories had their own moments: Amy Madigan took Best Supporting Actress for Weapons, a genuine win for horror, and Sean Penn claimed Best Supporting Actor for One Battle After Another, his third Oscar, putting him in extraordinarily rare company. Jessie Buckley won Best Actress for Hamnet, as expected, delivering on every bit of the hype. 

The night had its share of history beyond the acting prizes. Autumn Durald Arkapaw became the first woman to win Best Cinematography, and "Golden" from KPop Demon Hunters became the first K-pop song to win Best Original Song. Conan O'Brien hosted and, for the most part, nailed it. 

Did the Academy get it right? Mostly. Sinners deserved more. But that's awards season for you. 

(And three looks we loved from the Oscars carpet)

For decades, horror fans have watched awards shows come and go with rarely a mention of a genre that, in 2025 alone, grossed over $1.3 billion at the box office thanks to hits like Sinners and Weapons.

While these films are traditionally relegated to the technical “basement” of the Oscars, this year, no one saw the jump scare coming. When the dust settled after nominations were announced for the 98th Academy Awards, the narrative hadn’t just changed—it had been rewritten in blood.

H. Alan Scott breaks it all down, watch here!

Kenya Pleaser didn't leave RuPaul's Drag Race quietly.

In a candid exit interview, the season 18 queen got real about bombing the roast in front of Alyssa Edwards, a runway that went sideways and a lip sync so fan-heavy it nearly gave her a panic attack. But beneath the chaotic week was something deeper: a 26-year-old working through internalized shame in real time, having left her church just two months before filming.  

"For the first time in my life I was able to be Black, queer, loud, funny, do all of these things at one time without having shame," she said. "That's the truest thing that has ever happened."  

It's a genuinely moving conversation about confidence, representation and what it means to show up for the big Black boys who don't see themselves on television. 

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